Search Results for: BBC Light Programme

[…]really get on with very well. He was very tough character. But fortunately, there wasn't there was a an operator called Eric Besche, who was a delight">lightful guy. You know, and I had quite nice time out there. So you'd have things like that happened. And we went out on location to all sorts of thin[…]

[…]l accent in those days what?CB: I should think it had a tinge of Fulham in it, which I tried to eliminate. But by the time talkies came I was talking light">light">light">BBC posh like everybody elseI: Well, one had to I suppose, didn’t one, the rather accent or the West End accent. Did you consciously, you must have co[…]

[…]y Hickey: Yeah, they did say on one of the newsletters now and again, they say, "If you know of anybody that you feel..." Well John had been with the light">light">light">BBC during the war years and had done a lot of work with us at MGM before he came up to us as a freelance. So I put his name forward and anyway, they […]

[…]e 1  Alan Lawson  0:03  The copyright of this recording is vested in the ACTT History Project. Tony Bridgewater, senior light">light">light">BBC Television engineer, pioneer television engineer. Interviewer, Norman Swallow, and Alan Lawson recorded on the 28th of June 1990. Side one No[…]

[…]g the court Madeline would you take a call in the hall Oh, cool. Oh my Lord. And I remember saying that study PC. It was still better to work for the light">light">light">BBC, even the London Weekend. I mean, it's a little rot, because nothing's better than doctor at large. But in my didn't little head I thought I've se[…]

[…]roduction values were very high and it was a very professional organisation but there was always that wee chip on our shoulder because we weren't the light">light">light">BBC, you know, which was ridiculous actually, looking back on it and that whole, House on the Hill, was the first one, I would have said, Robert, of t[…]