[…] or anything, it's just that it became a possibility in a way that I'd never thought, you know, that, that there was before, you know, looking at the light">light">light">BBC, and so on, you know, and in those times very, very difficult to get into TV, you had to have a union ticket. And most of the directors who were w[…]
[…]really get on with very well. He was very tough character. But fortunately, there wasn't there was a an operator called Eric Besche, who was a delight">lightful guy. You know, and I had quite nice time out there. So you'd have things like that happened. And we went out on location to all sorts of thin[…]
[…]l accent in those days what?CB: I should think it had a tinge of Fulham in it, which I tried to eliminate. But by the time talkies came I was talking light">light">light">BBC posh like everybody elseI: Well, one had to I suppose, didn’t one, the rather accent or the West End accent. Did you consciously, you must have co[…]
[…]y Hickey: Yeah, they did say on one of the newsletters now and again, they say, "If you know of anybody that you feel..." Well John had been with the light">light">light">BBC during the war years and had done a lot of work with us at MGM before he came up to us as a freelance. So I put his name forward and anyway, they […]
[…]e 1 Alan Lawson 0:03 The copyright of this recording is vested in the ACTT History Project. Tony Bridgewater, senior light">light">light">BBC Television engineer, pioneer television engineer. Interviewer, Norman Swallow, and Alan Lawson recorded on the 28th of June 1990. Side one No[…]
