[…]ing all the rounds to the archers and to synagogue shots but not not succeeding. So I was writing actually more than one studio um, I finally went to BBC television and Alexandra Palace job and then I went to CVS in New York. Ronald Neame 1:17:44 Oh did you Roy Fowler[…]
[…]pe. So more towards the end of the 50’s and of course by the end of the 50’s Michael Balcon had left the studio’s and the studio had gone over to the BBC, apropos, which all those scores that Una talked about apart from the Vaughan William scores for Scott, which were in the archive in the music dep[…]
[…]nd he'd been in it on the stage, you know, he should know the part! [pause] Now what was I going to say? Oh I believe that 'The Astonished Heart' the BBC are doing a television play of it I think. They're doing a series of plays by Noel Coward as a season I think and that's one of them. I'd like to […]
[…]Are you strictly freelance now or? Yes, you don't have any affiliation to accomplishSpeaker 2 19:37 freelance until I eventually got to a BBC, right?Speaker 1 19:41 I wonder. I can't remember who produced great day. The production company was it two cities,Speaker 2 19:[…]
[…]ds “She come down.” And he was absolutely in love with this. I spoke to Ronnie about him and I said “Why doesn’t Rank come to an arrangement with the BBC, give him decent equipment, because he was using these awful old disc things that rumbled and thumped, and must have weighed a ton; give him a dec[…]
[…] of the Desmond Campbell collection of early TV photographs. www. bbc.co.uk/heritage Information on BBC history, research and collections. www.bfi.org.uk Website […]
[…]ps with film historians and so on. The Film Department was also, and again, this pre-dates Anne and Clive a bit, but I guess it goes back to the BBC2 Great War series in the mid-sixties, that the Film Department was developing a reputation as a major source for archive film footage for history […]
[…]bsp;Tell me a bit about them because I, I‘m, I don’t know anything about them. Peet? Well, Stephen was, mm, responsible for some brilliant BBC television programmes, and Norman of course, was equally again involved in putting history, mm, often contemporary history but nevertheless it was[…]
