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[…]achi on the way down, pick up the film, and go down then." Up to that point, until I ran out of film, I used to go to Gandhi's prayer meetings with a BBC man and an AP photographer. We used to, the three of us, go there every evening. Because there were sort of feelings that something was going to h[…]

[…] I think that if I was starting and I wanted to go into the industry, I would go into television.  I would get trained by a television company - BBC or you know - and then try to be creative, direct if I could or produce, you know, because if you are with a company then you know you are going t[…]

[…]d I said, Oh, all right. I'll see it. It very kind. And john showed it to him. And Jimmy, of course, had lots of contact. And Jimmy got john into the BBC, for monitorAlan Legard  42:16  is right, that's how that's that's how you use the link. And that's how that Yeah, that's right.Well don[…]

[…]tners. And then there were all the pubs under the DVC, which, you know, lunchtime, you'd expect to go and talk to such friends as you can find in the BBC, pubs in factories. And the French club, I'll be drawn, again, my person and I should have mentioned before another part of my education, from the[…]

[…] expositional films.John Legard: Hmm.Pat Jackson: ...You know...Stuart Legg at that time was doing 'Voice of Britain'...but 'Voice of Britain' on the BBC is merely... there's no story... it's merely the camera, sort of, dipping in the various departments at the BBC, getting a vague impression, sort […]