[…]very early on. We also requested a lavender print that we could send to to the UK were Rhodesia house organised the showing of it to the newsreel and BBC representatives who were able to take duplicate negatives from this lavender print of any items which they felt they would like to use. And we got[…]
[…]here for a bit atBasic Films, that’s right, Adam, dear Adam, who’s become a religious maniac I believe.Has he or not?Probably through working for the BBC I expect. [laughter]Is that what happens if you work at the BBC?No! Anyway, he was there. Gosh, who else? Oh dear. Dear, then there was another bo[…]
[…] # 444 Head of Film Examination, Programme Acquisitions at the BBC  Video Gawn Grainger # 738 Writer actor  […]
[…]ason or other. But I met him, I know, and and we talked about the recording. And we were recording on tape, you know, but it was, it was iron tape. I BBC were using it Tim Aymes  43:24  too. The still a designed it, still a designed it, or still a designed it style, Sta[…]
[…]se by then the Company decided to put live shows on so we did a lot of live shows. We were predominantly live shows and television work with the BBC because at that time the BBC were converting their studios to colour, so a lot of the entertainment shows were put out to various theatres and we […]
[…];24:13  Well, I mean, that's an exam. I can't remember what the others were. Anyway, while I was doing all this, I was also broadcasting for the BBC. I mean, I don't know. I found the time for all this, really, you could do it now, you know. And I was doing a weekly show called Variety Playhous[…]
[…]trial films; British Transport Films started on 16mm Kodak reversal in 1953/4 for their travelogue films which were then blown up to Technicolor; the BBC never used CFS for printing but did for sound recording; HTV, RTE were the biggest customers in television; a lot of work from overbroad – Sweden […]
