[…] ark class="searchwpark class="searchwp-highlight">-ark>highlight">alongside aark> young Richard Burton . He ark class="searchwpark class="searchwp-highlight">-ark>highlight">appearedark> in the ark class="searchwpark class="searchwp-highlight">-ark>highlight">ark class="searchwpark class="searchwp-highlight">-ark>highlight">1956ark> adaptationark> of George Orwell's novel Nineteen Eighty ark class="searchwp-highlight">-ark> Four, […]
[…] ark class="searchwpark class="searchwp-highlight">-ark>highlight">areark> keen to continue making use of the collection on ark class="searchwpark class="searchwp-highlight">-ark>highlight">aark> regular basis. ark class="searchwpark class="searchwp-highlight">-ark>highlight">And aark> new Film ark class="searchwpark class="searchwp-highlight">-ark>highlight">aboutark> Karel Reisz […]
[…] clearly very highly respected, ark class="searchwpark class="searchwp-highlight">-ark>highlight">andark> he seems to have been ark class="searchwpark class="searchwp-highlight">-ark>highlight">aark> significant support ark class="searchwpark class="searchwp-highlight">-ark>highlight">andark> inspiration to his younger colleagues. To […]
[…] continued to develop new trends in colour cinematography in Moby Dick ( ark class="searchwpark class="searchwp-highlight">-ark>highlight">ark class="searchwpark class="searchwp-highlight">-ark>highlight">1956ark>ark>). He was ark class="searchwpark class="searchwp-highlight">-ark>highlight">alsoark> equally ark class="searchwpark class="searchwp-highlight">-ark>highlight">atark> home in black ark class="searchwpark class="searchwp-highlight">-ark>highlight">andark> […]
 The BEHP’s ark class="searchwpark class="searchwp-highlight">-ark>highlight">audioark> interview with Bill Girdlestone – conducted in 1987, ark class="searchwpark class="searchwp-highlight">-ark>highlight">andark> now digitised ark class="searchwpark class="searchwp-highlight">-ark>highlight">and availableark> on the website […]
If Dallas Bower is remembered today, it is probably ark class="searchwpark class="searchwp-highlight">-ark>highlight">asark> the driving force behind the 1944 Laurence Olivier film of […]
[…] perhaps her finest role. In ark class="searchwpark class="searchwp-highlight">-ark>highlight">aark> bleak portrayal of post ark class="searchwp-highlight">-ark>war East End working class life, she plays Rose, ark class="searchwpark class="searchwp-highlight">-ark>highlight">aark> […]
[…] £1,500, it operated through both silent ark class="searchwpark class="searchwp-highlight">-ark>highlight">andark> sound periods until ark class="searchwpark class="searchwp-highlight">-ark>highlight">ark class="searchwpark class="searchwp-highlight">-ark>highlight">1956ark>ark>, when ark class="searchwpark class="searchwp-highlight">-ark>highlight">aark> combination of entertainment tax, television, ark class="searchwpark class="searchwp-highlight">-ark>highlight">andark> the […]
Meeting notes from Skype meeting 7 June ark class="searchwpark class="searchwp-highlight">-ark>highlight">and associatedark> phone calls
[…] bank details ark class="searchwpark class="searchwp-highlight">-ark>highlight">are asark> follows:ark class="searchwp-highlight">-ark> ark class="searchwpark class="searchwp-highlight">-ark>highlight">Aark>/c Name: The British Entertainment History Project Bank: Nat West Bank Sort Code: 60 ark class="searchwp-highlight">-ark>50ark class="searchwpark class="searchwp-highlight">-ark>highlight">ark class="searchwp-highlight">-ark>ark>06 ark class="searchwpark class="searchwp-highlight">-ark>highlight">Aark>/c No: 42227429.
