[…]e didn't get an agreement. So, now, I'm in discussions with Prospect as well, looking at this, but I get a phone call from Amanda Nevill, head of the BFI GM: 22:26 on behalf of the film, British Film Commission, who've had, who've all been under instruction from the DCMS [Dept of Cul[…]
[…]ll, Michael Molds I think there were one or two academic libraries. I honestly can’t remember all their names now. Oh, and also the BFI used to send people as well so you got to know quite a few people who were involved in the …SUE MALDEN: Did you feel you were learning much […]
[…] annual competition called the 10 best amateur films of the year, which he man is, you know, gave it quite high profile, he showed the 10 best at the BFI and usually got some celebrity like John Mills or Glenda Jackson to hand out the trophies. And he enjoyed enjoy that side of it as well. He enjoye[…]
[…]hat a few times. Is. Not saying it is a comedy but it was a. Years and years ago with the COI information had it's own film library before it went to BFI which is now it will be fine. I get to watch somebody catalogue. I mean you had books. And it's not need a company it me think. So you were just l[…]
[…]d me - so it has never been repeated - and its lying there - you know. It’s been shown, this is interesting, it’s been shown at the BFI. And I was invited along for a showing,- in the big theatre and invited up to do an interview after it - and they loved it- the audien[…]
[…]Orrom Katy McGahan 0:02 OK, this is an interview by Katy McGahan, one of the curators in the Non-Fiction unit at the BFI interviewing for the BECTU History Project, Mary Orrom, filmmaker, editor and director. And it's 25th of January 2011. Katy McGahan&nbs[…]
[…]roject; PB discusses his set-up at Denham.[Break in recording at 00:41:20]00:41:20 – 00:51:00 Wet gate printing 3-strip; vinegar syndrome and how the BFI manage deteriorating film; accessing source material for restoration, Thief of Bagdad and travelling mattes; KW mentions the blue line appearing i[…]
