[…]into production, and very kindly asked if I would get involved in this film that they were doing called Crystal gazing, and it was 100% funded by the BFI. And so I left crosswind and I went and worked for them officially as production manager, weirdly, but it was sort of more like being the location[…]
[…] at the BBC on Yesterday’s Witness, so she had a good production record and as you say she’d been a senior player in the National Film Archive at the BFI for some time. I think she left the BFI to have a family and then had gone into television as her boys grew up a little bit. I think that was roug[…]
[…], the last film I shot there. Since then - when was that? It was in 2001. But - Sixth Happiness we haven't mentioned, which was a film I shot for the BFI and the BBC. Darrol Blake 1:24:02 Oh, in '97, it says here. In '97. Waris Hussein 1:24:07 So[…]
