[…]hat a few times. Is. Not saying it is a comedy but it was a. Years and years ago with the COI information had it's own film library before it went to BFI which is now it will be fine. I get to watch somebody catalogue. I mean you had books. And it's not need a company it me think. So you were just l[…]
[…]d me - so it has never been repeated - and its lying there - you know.  It’s been shown,  this is interesting,  it’s been shown at the BFI.  And  I was invited along for a showing,- in the big theatre and invited up to do an interview after it - and they loved it- the audien[…]
[…]Orrom  Katy McGahan  0:02  OK, this is an interview by Katy McGahan, one of the curators in the Non-Fiction unit at the BFI interviewing for the BECTU History Project, Mary Orrom, filmmaker, editor and director. And it's 25th of January 2011.  Katy McGahan&nbs[…]
[…]roject; PB discusses his set-up at Denham.[Break in recording at 00:41:20]00:41:20 – 00:51:00 Wet gate printing 3-strip; vinegar syndrome and how the BFI manage deteriorating film; accessing source material for restoration, Thief of Bagdad and travelling mattes; KW mentions the blue line appearing i[…]
[…] four short adverts. We couldn’t afford the advert space, I managed to get, between us we got money from five different commissioning editors and The BFI, tiny, you know, but we couldn’t afford the space to buy.SF: No.We could afford to make the thing.SF: Yes, yes.So we had to go to different compan[…]
[…]k if you take copies and send the originals back here to Brian.Roy Fowler: Yes, okay. Well then, what I'd like to do is to...I'll go down to the BFI and say that there's what...about 20, 25? Something like that?Brian Smedley-Aston: More than that by the look of it.Roy Fowler: Yes. Now[…]
