[…] processAG: Talking of these processes did you ever have anything to do with the Schufftan process?BL: The Schufftan process yes. I came across it at BIP studios and this was really a wonderful process. It had the disadvantage that it had to be set up on the stage and all the arts and all the craft […]
[…]lly they were doing about eight, a block of uh...either six or eight, I can't remember. And we took one side of this block which was three stages and BIP were RCA sound, but we converted ours to Western Electric. And we were the only Western Electric studio in England at that time. So I suppose...Ro[…]
[…]e had a gentleman who used to bet with him, his name was, I'm not sure if it was Bob, but something West, were turned out to be the master painter at BIP, and he was also a distant relative of one of my distant relatives, and suddenly ringing up to put his bets on with my father he happened to menti[…]
[…] the beginning of my life ...Sidney Cole : About Joe Grossman? A lovely, charming incident.Muriel Box : Yes, so I wrote to him, he was the manager of BIP and I had an interview with him, he was extremely nice and he engaged me. Because he said "We've got a series of short ones being done by Bernard […]
[…]e well known like Maurice Elvey, who was Walter Mycroft.Alan Lawson: Walter Mycroft as far as I can remember was production superviser, manager up at BIP. He was quite a powerful little man. He was a little man. I think people used to be quite a bit scared of him.Arthur Graham: You were living in Ha[…]
[…]e died and. I can't remember but. Can you remember now. But he went out of the industry I think it is. I think you die somewhere. Anyway back to BIP. Blossom Time I enjoyed Blossom Time very much in the. There was in the other studios there was an up and coming director called Arthur Woods[…]
[…]    At Elstree. Now that was not what became ABC?A         No. ABC was BIP (British International Pictures), they were on one side. And three of their small stages joined over to three stages or to two stages which […]
