Search Results for: BIP

[…] One of the people I'd written to years before was BIP and I suddenly got this note saying would I […]

[…] the films started at a very early age then? While you were still...Peggy Gick: [Chuckling.] Yeah...1933, '34. The first one I went to see was out at BIP, which was Cameron Menzies who was doing...what was it... ['The Shape of Things to Come'] wasn't it? I think...John Legard: Yeah...about that, yea[…]

[…]which is still there and still Very much as they were in those days. That happened out of the blue. One of the people I'd written to years before was BIP and I suddenly got this note saying would I go down there and I was interviewed by this interesting character, Walter Mycroft, who was in charge o[…]

[…] I don’t think… I: A lot of them went to BIP, CB: Yes I: The cameramen and such CB: Yes […]

[…] processAG: Talking of these processes did you ever have anything to do with the Schufftan process?BL: The Schufftan process yes. I came across it at BIP studios and this was really a wonderful process. It had the disadvantage that it had to be set up on the stage and all the arts and all the craft […]

[…] one side of this block which was three stages and BIP were RCA sound, but we converted ours to Western […]

[…] letters to studio managers and I got an interview at BIP with P.C. Stapleton who said ÔÇ£yes, yes, come back […]

[…]lly they were doing about eight, a block of uh...either six or eight, I can't remember. And we took one side of this block which was three stages and BIP were RCA sound, but we converted ours to Western Electric. And we were the only Western Electric studio in England at that time. So I suppose...Ro[…]