Ronald Neame

[…]ay that I went into Elstree Studios. I was told to go to the camera department, Roy Fowler  30:41  Excuse me, these were the BIP studios? Ronald Neame  30:43   These were  BIP. Roy Fowler  30:44  Which were the[…]

Charles Crichton

[…]ng up cuts, but they wouldn’t tell me a bloody thing at first.SC : After WembleyCC: We moved to Boreham Wood, B&D. But they did make a picture at BIP once too. They were only making quota quickies at that period.SC: I can’t remember the one you did at Wembley but it was the beginning of those yo[…]

Kay Mander

[…]That was Tony. [laughs] No Arthur - oh God! He'd worked at the Bush.Sidney Cole: I know. He'd been around a long time, because I think he was even at BIP.Kay Mander: But he wasn't old.Sidney Cole: No, no, but after all, BIP could have been in '35 or so...Kay Mander: But I've got that at home, becaus[…]

Edward Dryhurst

[…]nly studio, when did other people start to move in? That was later in the twenties was it?Eddie Dryhurst: J.D. Williams moved in on what later became BIP, in about 1925 I think, '26. I was then in America. He got the Elstree Studios going. He was an Australian. I met him in Hollywood funnily enough,[…]

Tilly Day

[…]y Day: Well anyway, she was continuity and I went with her to a studio. John was a producer on it, a production manager, so we went in there, at BIP, well EMI...Sidney Cole: EMI now. Did you ever work at BIP?Tilly Day: Yes.Sidney Cole: Yes? Can you remember what you worked on dow[…]
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