[…]ything else. So, he, we've been, there's quite a lot of staring that goes on, like when you're five and you stare at people and whoever looks away is basically [undiscernible] So I got very good at keeping up the stares. So quite a funny occasion with the main guy on the Burgers where we had t[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this[…]
[…] then eventually people like Elaine [Burrows] and so on were totally on my side. They liked my style and they liked the fact that I was going back to basics, and I did take Wilf on and I managed to res-establish the Deputy Curatorship which got me Ann Fleming, whom I stole from the Imperial War Muse[…]
[…]ion the Stones first session? On the same day then? Can you remember that at all? BAYes because the… Yes because… It was basically a Bo Diddley session and… time permitting… the Stones could do, if there was enough time, the Stones could do some numbers of their own.&nbs[…]
[…]I wasn't too keen on the idea because it was purely commission and whilst I was confident I would be able to sell, I just feel that you need a bit of basic to give complete loyalty to the company. I think they have to be entitled so you don't have to worry too much about getting the big figures imme[…]
[…] a way because you were a very busy lady and it would have been taken out of your work? So....Well, I was travelling a great deal and I, I think basically women get married because they’re lonely, you know, but I wasn’t lonely.Y es.I was earning enough money to, you know, to keep myself.Y es.Th[…]
[…]happen. So I had all the arrangements to do, all the arrangements in the Abbey and all the lighting. We used to light for TV as well at that time, or basically light for them because we were doing colour and they weren't.John Turner: Tell me, how many cameramen did you have under your umbrella then?[…]
This transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of […]
