[…] awful lot of rigging of lamps and things after hours, after shooting hours, so they made a great deal of money. They were probably on about the same basic as I was but they got [paid] overtime, and we didn’t get any overtime at all. At that time we were making Gracie Fields films, and another, ooh […]
[…]3. Not that it matters in the least.Wyn Ryder: Did you consider Herbert Wilcox a good director?Reggie Beck: More an impresario. He knew the basics but that was all. I don't think he had any taste whatsoever but he knew how to impress people like, the famous man who died recently, Orson Wel[…]
[…] – my own field – there were considerable advances. Synchronisation of the sound record and the visual record only existed in my early days in a very basic form. When I startedediting at Elstree, there was no system of synchronising every foot of sound to the equivalent foot of the picture so when y[…]
[…] I'd like to do. First of all get some very basic personal information establish and then talk a bit about […]
[…] where they couldn't put chrome on cars, it was very basic. And on the other assembly line they were building […]
[…] a very good grounding and a very good sort of basic place but not to groom somebody properly. Roy Fowler: […]
[…] Ward Thomas are discussing me! You know here am I, basically an assistant director and production manager who couldn't get […]
[…] course in the coffins were all these nylons, and that basically was the story. But another interesting person on that […]
[…] want to do it themselves?!ED: Yes they vary enormously but basically you really have to end up seeing the same […]
[…] school. As part of your contract, you had to learn basic Arabic. Once you'd learned the courtesy Arabic, you could […]
