BEHP transcript DisclaimerThis transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interv[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interv[…]
[…]rving and restoring usually short films although lately I’ve been working a lot more on features including Masque of the Red Death. So my job is basically to curate our collection mostly focussing on short films or home movies or student films. And then from that working on preserving the films[…]
[…]e were doing scanning for feature work for new films, it was doing a digital shot here and there and maybe recording-out titles once and a while. But basically everything was analogue. And we were doing analogue preservations for Technicolor films, Eastmancolor films, we kinda specialised in difficu[…]
[…]And that meant that we had to take all of the electricians and the equipment from the studio and that meant that the lamps I was obliged to use were, basically, pre-war and very heavy indeed. Very heavy and the poor electricians had struggle over roots and through bushes with lamps which were far to[…]
[…] not.PF: So, talking about the move from analogue to digital, would you say it’s just became easier? That they’re the main differences? It’s the same basic principle of getting the right colour but it’s more based at a work station in trying to achieve the right look of a film? Is that fair to say?K[…]
[…]duct is really important then they must be there, you know, forever. The early days, the laboratories, in terms of original material, and just at the basic level in terms of the logistics of original material, a lot of the laboratories offered vaulting … access to vaulting and they would have, at De[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interv[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this[…]
