Kenneth Allan Patrick Coyle

[…]e know how the final version is going to look. I: Well, this will not be shown anywhere. R: OK. I: So, I think you can because I mean, basically this will be just put in an archive, It's not going to be broadcast or anything. R: OK. I: So, most people watching it will probab[…]

Bernard Ponsonby

[…] for a nine-month contract. Left for three months and then came back in September 1991 and I've, again, on a contract basis, but after two years they basically regarded you as Staff so I was issued with several contracts and then, after a while, they stopped issuing me with contracts. I think they w[…]

Peter Ansorge

BEHP transcript DisclaimerThis transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this[…]

Interview

[…]n there, is it not true that you won an Oscar? A Yes. For a natural history film. A conservation film, really, called WILD WINGS. Yes. At Slimbridge, basically, about Peter Scott's operation at Slimbridge. INT How did that come about? Were films from ... A Well we entered - you have to have American[…]

Chris Lycett

BEHP transcript DisclaimerThis transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interv[…]

Brian Marshall

BEHP transcript DisclaimerThis transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this[…]

Renee Glynne

[…]have known. (TIME 56.09)DARROL BLAKE: Who was in front of the camera?RENÉE GLYNNE: Who was in front of the camera. Oh...oh yeah, OK, it was basically the ... it was to be the recording sessions of the album Beggars Banquet and the recording, growing of, composing of the Symp[…]

Roy Fowler

[…]my interest in, in the film industry.  To what extent were interviewers trained in any way about the aims and objectives of the project and basic interview technique?  Well, again I think you’re looking at it wrongly. It was the, the committee comprised a small number of people. […]

Neville Wortman

[…]lways trying to do different things, and she was very interested in animation at that time.  She knew that I’d done … but the animation was very basic.  What she got me to do was to do little cut out characters, animals mainly I think they were, really cute animals, and she said “Somehow w[…]

Anne Hanford

[…]y renowned people in the BBC.  I remember Paul Fox saying to me “Well I can remember all the programmes I made, so why do you need a catalogue?” basically.  So, it wasn’t fairly common. [TIME 17:24]   I think it was a misconception even when you had only made a few programmes. But gen[…]
Scroll to Top