[…] called An Elephant Called Slowly (1969).[95] And this again is where film and reality start to blend because we went to Africa to make this – it was basically a light-hearted little children’s film about a couple who go to Kenya to look after some friends of a friend, and the friends turn out to be[…]
[…]quipment that you were using? No, was all fairly standard. I mean, editing equipment hasn't didn't really change until electronics came along. It was basically the same. Obviously, it was perfected in some things, joiners. We used to work on joiners. That was where you join the film with film cement[…]
[…]howing me how the American dancers in the show have to tap dance. So I had to tap dancing lessons . By the time I was nine.I suppose I was basically an all rounder, Ernest Maxin 10:18 I was doing dance routines and ballet, and also writing music. I was wat[…]
[…]do suggest that you ask Sarah Erulkar, I think she'd be right for this. I was still editing, longing to get back into directing. I was doing, I'd got Basic, by then I was doing editing on 100, A Century of Coal. That very big, Sam Napier-Bell, yes. But I was still editing. And Karel, and Anne Balfou[…]
[…]now, or whatever they call it. So I did that, and it was kind of the rudiments of music, you know, two and three part harmony writing and the sort of basic theory of music was the in the curriculum for this particular subject. Does it come to you fairly easily? Yeah, I loved doing it, you know, it w[…]
[…]xiliary Military Pioneer Corp becoming a Corporal and spent a year at Ilfracombe; KA talks about his time at the camp in Ilfracombe where they taught basic military training with no arms; he kept applying for the RAF during this period and was successful in 1941, moving to Scarborough for training; […]
