Renee Glynne

[…]andson and Ithought I have to stop. That’s the only reason I ever stopped. [Laughter]DARROL BLAKE: But, you have done some teaching, some training at Beaconsfield and BBC.RENÉE GLYNNE: At Beaconsfield I only worked on their films, so I didn’t speak to a Script Supervisor there. Although I know Ann S[…]

Peggy Gick

[…]always been a problem with film schools hasn't it? Because they learn a lot of theory...but I mean the schools vary don't they? I would have thought [Beaconsfield] was good...Peggy Gick: I don't know anything about [the school]...John Legard: ...because they were like sort of workshops and you did l[…]

John Krish

[…]after? I'd also made The Avengers - I think they must have come after. Oh yes, I know how I got out of them - how I got to make my first feature - at Beaconsfield was a company called Independent Producers and the producers were Julian Wintle and Leslie - Park, Parks? Leslie...Rodney Giesler: Someth[…]

June Randall

[…]the Unknown.X the Unknown.2: I’ve got a copy of that, you know, on 8mm.X the Unknown, which was a really difficult location. It was night work in the Beaconsfield gravel pits. It was from five o’clock in the evening till about six o’clock the next morning in the freezing cold. You sunk into the mud […]
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