Peggy Gick

[…] the schools vary don't they? I would have thought [ Beaconsfield] was good... Peggy Gick: I don't know anything about […]

Charles Bennett

[…] ------------------------------------Abrupt cut in recording--------------------------------------- Charles Bennett : ...pictures at the Beaconsfield one. It was something Lion. Arnold Schwartzman : British […]

Hugh Stewart

[…] The Man Who Knew Too Much (1934) before moving to Beaconsfield to work on quota productions. He also gained experience […]

Renee Glynne

[…]andson and Ithought I have to stop. That’s the only reason I ever stopped. [Laughter]DARROL BLAKE: But, you have done some teaching, some training at Beaconsfield and BBC.RENÉE GLYNNE: At Beaconsfield I only worked on their films, so I didn’t speak to a Script Supervisor there. Although I know Ann S[…]

Peggy Gick

[…]always been a problem with film schools hasn't it? Because they learn a lot of theory...but I mean the schools vary don't they? I would have thought [Beaconsfield] was good...Peggy Gick: I don't know anything about [the school]...John Legard: ...because they were like sort of workshops and you did l[…]

John Krish

[…]after? I'd also made The Avengers - I think they must have come after. Oh yes, I know how I got out of them - how I got to make my first feature - at Beaconsfield was a company called Independent Producers and the producers were Julian Wintle and Leslie - Park, Parks? Leslie...Rodney Giesler: Someth[…]
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