[…]sy?CB: Oh dear a busy studio, yesI: Right,CB: Yes, yes, and of course fairly, fairly close to London, I mean some of them were so far out there, like Beaconsfield, it was like that, and I lived then at Roehampton and it was a long, long way to go every dayI: Your called would have been at what time?[…]
[…]g no played Dith Pran and shoot additional scenes at the film school. Not only that but we we did some scenes in the back of a Jeep on on a road near Beaconsfield which cut in to the Cambodian material with no trouble at all.SPEAKER: M25PETER MAY WE BREAK JUST FOR A MINUTE BECAUSE UM WE'RE ROLLING T[…]
[…]t all came out. It was magic stuff that was going in.John Legard: Who was your editor on that?Rodney Giesler: Tony Gardner. We edited at Anvil out at Beaconsfield. Anvil was associated with Realist and we did all our post production with them.John Legard: Were you pleased with the result? Did it com[…]
[…]oaden one's training base. That was phase two bekins field studios, filming, editing, editing, everything they had back 10 cutting rooms, I suppose a Beaconsfield and all the facilities are camera department. It was a mini BBC World in action did achieve a cinema release. I don't know what tie up th[…]
[…]have we missed one outFreddie Francis: I don't know. That is one that dear old Danischewsky produced, Charlie Crichton directed which we made over at Beaconsfield. That was a lot of fun, Peter Sellers, Bob Morley. Bob is a great deal of fun. Peter of course is no fun at all, but no, an enjoyable pic[…]
[…] true. Well I...the first studio I ever went into was Beaconsfield where there was a female Art Director, I think […]
[…] were still doing this film which had been finished at Beaconsfield, which we call Beaconsfield and the locals call BEECONSFIELD, […]
[…] based where? Are they still at Pinew ood? LK: In Beaconsfield RF : Well take us through typical operation then. […]
[…] You made that one at Pinewood, presumably? Vernon Sewell: No, Beaconsfield. Roy Fowler: Really? Vernon Sewell: Beaconsfield. How do you […]
