Name of interviewee Susan Crockford DRAFT Tape 1 Side AThis transcription was provided in 2015 by the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, Leeds University) and Dr Vicky Ball (Co- Investigator, De Montfort U[…]
[…] they obviously do you!" [Laughs.] She said, "We're making a film called Fire Over England at Denham Studios. Would you […]
[…]a rather than in front," she said, "all these technical things they don't interest me but they obviously do you!" [Laughs.] She said, "We're making a film called Fire Over England at Denham Studios. Would you like to come and watch it being made?" So I said, "Yes!" It was during the school holidays.[…]
[…]pril 39, in London town and the sound of bow bells. So not quite a Cockney, but can you tell me a bit about your family and how you came to be in the film industry?Right. My family consisted of a father who was in the engineering business, who would started making his own films and when he was young[…]
Interview with Lusia Krakowska Lusia Krakowska, Film Editor Interviewer Roy Fowler Recorded on the 23 rdJanuary 1998 Side One: RF […]
[…] The First of the Few (1942) before joining the Crown Film Unit, where she worked on designs for films such […]
[…] we’ve got to ask today. So, I wonder if you could just begin by giving an overview – if I can take you back slightly – in how your early interest in film and colour photography started. Where did that spark on interest come from?CF: I started out… my first work as such was for Kodak, and there was […]
[…]aylor: You said it was simpler in those days. So you had a good start in life.Bill Cotton Jr: In terms of the industry, yes. My brother went into the film industry, he was a pilot, a mosquito pilot during the war, and he caught TB, and when he was3rdcured of that he went to Shepperton and became a a[…]
[…]ous. The University's audio visual unit was very supportive of Unit Sixty Five and let us use their studio at lunchtimes and also let us borrow their film camera from time to time. Jim Harold, who was the head of the audio visual unit let us borrow an Arri ST and my friend and I at university […]
The copyright of this interview lies with the \british Entertainment History Project Interview with Lusia KrakowskaLusia Krakowska, Film Editor Interviewer Roy FowlerRecorded on the 23rdJanuary 1998Side One:RF: The date is 23rdJanuary 1998 and we're recording Lusia Krakowska, that is L-U-S-I-A […]
