[…]ddie Dryhurst: Yeah.Roy Fowler: Your family background, as I say, is documented, so why don't we start out with your first initial urgings to go into film and what films were like at that particular time, what made you feel that way about them?Eddie Dryhurst: Well we're going back to the First World[…]
Yvonne Littlewood DRAFT. Tape 1 Side AThis recording was transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, University of Leeds) and Dr Vicky Ball (Co-Investigator, De Montfort University). ([…]
[…] My mum and dad weren’t tearful we couldn't wait to get away.6:17  NS: It's not only - it's not only today's television, is it? I mean, it’s the films of the time, Alan will remember this, they we're also a bit tearful. And they were shown during the war.6:27  DMW: Yes, but today’s documen[…]
[…]TU]Transcription Date: 2003-03-18Interview Date: 1989-11-23Interviewers: John LegardInterviewee: Hugh StewartTape 1, Side 1John Legard: Hugh Stewart, film producer, recorded on the 23rd of November 1989, in his home. Interviewer John Legard. Side one. Hugh, when and where were you born?Hugh Stewart:[…]
Tilly Day (continuity) 1903-1994by admin — last modified Jul 28, 2008 04:32 PMBIOGRAPHY: Tilly Day worked on over 300 British films between the 1920s and 1970s, most particularly as ‘continuity girl’. Her career began at Walthamstow Studios in the 1917 and she received her first credit in […]
[…]onard Harris: I don't think I would have got it mind you, because I hated school and I didn't learn much. But that's really it. I wanted to be in the film business you see, I was passionately fond of films all the time, possibly it was a bit of an escapist thing at first, I expect, because of gettin[…]
[…] a minimum for that reason, thinking that the that nine and the guns pointing East was it was all they needed. In actual when I, when I went there to film it, it did look, it did look very impressive. I mean, these enormous underground systems, where they compete with whether sort of underground rai[…]
[…]ar and surface wear, so they had to be balanced. So it was a bit of a, you know, correctly, balanced. Do you rememberRoy Fowler  35:51  the film that was involved? Oh, I don't know. No, not the film, but it may well have been Don Juan or Don Juan. I imagine Don Juan being Warner Brothers.S[…]