[…]or 90 seconds. He has no important role and should be well left out. And in fact, usually is left out if you're doing it commercially. You they did a film 40 years ago, and they where they got Danny Kaye to do that, and now this person wants Paul McCartney. I couldn't do that, although that's the wa[…]
[…] by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell […]
[…]a century. I know you started off in the camera department became a cameraman. And that you ended up as the producer of those specialised films 50 years is quite time, how did it all begin?John Wiles 0:43 Well, I suppose it began really with my, as a kid I had an interest in […]
[…] There was no musical event at the Hall at all.JS: Go on, I want to find out about how people get educated musically.RA: After that, I wanted to be a film director and I think it was Gaumont British offered a course for £100 where you could be an apprentice and I put this to my father and he refused[…]
[…] 2008 02:43 PM BIOGRAPHY: E. M. Smedley Aston entered the film industry as a runner at British International Pictures in […]
[…]43 Part One[00:00:09]PF: Well first off, thank you Chris for taking part in the interview today. I think we should begin where your interests in film and photography developed and perhaps your first experiences with colour photography. Perhaps as an amateur in your early life.CM: Well I always […]
Hugh Stewart ( Film Editor/Film Producer) 14/12/1910 - ? by admin — last modified Jul 27, 2008 02:44 PM BIOGRAPHY: […]
[…]ddie Dryhurst: Yeah.Roy Fowler: Your family background, as I say, is documented, so why don't we start out with your first initial urgings to go into film and what films were like at that particular time, what made you feel that way about them?Eddie Dryhurst: Well we're going back to the First World[…]
[…] main fundraising event would be midnight matinee of a feature film. Then film industry had one of its crises and […]
[…]like to do is start right at the very beginning. We'd like to talk right through your life and your work in the world of archives and other things in film.AF: Okay.MW: But let's start at the very beginning: where abouts were you born? AF: I was born on a farm called Old Montrose four miles outs[…]
