Search Results for: Betrayal. Charon Film Sweden/Channel 4. Creative Producer. RTS Best Editing (1997)

[…] main fundraising event would be midnight matinee of a feature film. Then film industry had one of its crises and […]

[…]like to do is start right at the very beginning. We'd like to talk right through your life and your work in the world of archives and other things in film.AF: Okay.MW: But let's start at the very beginning: where abouts were you born? AF: I was born on a farm called Old Montrose four miles outs[…]

[…]there for I suppose it was about 15 years or so and then we moved nearer London to Great Missenden, and it was from Great Missenden that I started in films. I should say that when I left school in 1929 I went into the advertising industry and I was going to be with Mather and Crowther...Roy Fowler:&[…]

[…]father's thinking was you better go to Britain because that's where you'll learn the trade rather than stand South Africa which of course had no real film industry. Well Harry what was working there at the time.SPEAKER: M6He was doing the sequel to the film he had done about a lion family. So I came[…]

[…]or I just in the I got the impression I was a little nap processing. It was a release print 916 mail. It rejoiced and then in the name of substantive film finish limited substandard definition. It is now film Magic and much more respectable but it was at the top end of Dean Street under OK. I had an[…]

[…]t school. It was then a very, very, mixed school, socially very, very, mixed; went to read history as an undergraduate at Cambridge, and then studied film, as a postgraduate at Bristol, and was very keen to try and find a way to bring these two great interest of mine, film and history together, and […]

[…]ay and all that?.. BAYeah.  But that’s how he got him to do it.  He actually went behind him…   on the drum kit.  24.04MDWas the Bo Diddley session the Stones first session?  On the same day then?  Can you remember that at all? BAYes because the…&nbs[…]

[…]allowed.The copyright of this recording is vested in the ACTT history project. Sara de Normanville, professionally known as Sara Erulkar, documentary film director. Interviewer John Taylor. Recorded on the twenty-eighth of February 1991, with interjections by her husband, Peter (PdN). Side one.[00:3[…]

[…]r - this was as you’ll probably know this was Jonathan Routh was going out and - er- involving people in japes and wheezes and - and  - er - you filmed it from a hidden camera which was supplied to us by the Samuelson family - and David Samuelson CBE and people like that were all locked in cupb[…]