Peter T Handford

[…]nd what a sound recordist was in those days because there were only two ways of doing it – you either went into broadcasting or gramophone records or films and it was practically unknown for anybody to be interested in such a thing.I was always fascinated by sounds and that is what I wanted to do. A[…]

Joy Cuff (née Seddon)

[…]yes, 2 years foundation and 2 years intermediate and then you get your NDD so it's a 4 years course. 0:04:29.9 MIKE: So how did you get into the film and television industry? 0:04:32.0 JOY: Well, I didn't want to be directed to education and teachers because that's what they used to do... […]

Donald Wilson

[…]cularly speak with a Scottish accent, Linda Wood  0:54like further. Did you have any specialised training before you started working in the film industry? Donald Wilson  1:05I went to the Glasgow School of Art. And that's the only specialised training I have. Because I had I left[…]

Joy Batchelor

[…] (1954). They also became involved in ASIFA (Assoication Internationale Du Film d’Animation). SUMMARY: In this interview, Batchelor talks to Kay […]

Marion Grierson (Taylor)

Interview with Marion GriersonInterviewer: Margaret Thompson MT: This is Margaret Thompson interviewing Marion Grierson; documentary film director, editor reporter, literary editor and writer.these were the professions that she followed in the early years of documentary filmmaking. She later we[…]

John Dark

[…]contact BEHP Secretary,  sue.malden@btinternet.com.Show SpeakerThe copyright of this recording is vested in the Ac t history project. John Darke film producer recorded on the 10th of December 1990 at Twickenham film studios. Interviewer said Coe with Ellen Lawson side one okay. John it's nice t[…]

Erica Masters

[…]sonInterviewee: Erica MastersTape 1, Side 1Sydney Samuelson: Well we're sitting here on the 2nd August 1995. We're in the meeting room of the British Film Commission, at 70, Baker Street in London, and the interviewee is no less than Miss Erica Masters, a legendary production person in our industry,[…]

Joan Kemp

[…] working initially in the theatre and subsequently on screen. Her film credits include The Citadel (1938) and Goodbye Mr Chips […]

Ernest Marsh

[…]amlet in in Suffolk called Somerton, and That's basically where I've had my early years, I went to the local schools and where I first had a piece of film in my hand, piece of 9.5 film of Alan bes army, and with a hand cranked 9.5 projector. I was there for the rest, rest of my younger life, and eve[…]
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