Search Results for: Betrayal. Charon Film Sweden/Channel 4. Creative Producer. RTS Best Editing (1997)

[…] by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell […]

[…]dibly exciting and you think you are at the centre of the universe and it's like, and I should say that in those days we were still shooting stuff on film so News stopped happening, I think, at 12:30 in the day because it had to go and be processed and come back. But it didn't stop it being, feeling[…]

[…]2-12Interview Date: ??? Interviewer: Ralph Bond ?Interviewee: Ivor Montagu NB: This is evidently the transcript of the soundtrack of a filmed interview with Ivor Montagu (details not given on tape)Tape 1, Side 1Interviewer : How would you evaluate the effectiveness of the independent […]

[…]of recognisable memory and then went on with a touch of that. I mean, I was too young to actually regard Hope and Glory as a as a an autobiographical film, but I was seven at the end of the war. So it was very enjoyable, very enjoyable. Stephen Peet  4:06  So by the time the[…]

[…]p as it were.R. F. So you had a very long training.C. D. Then . . . . . . . . (name), he was promoting my work and so forth, I then wanted to go into films. I had an idea that I would like to do stage work, ballet, which I did.R. F. What year are we talking of?C. D. When I was 19. So it so happened […]

BECTU History Project - Interview No. 110  [Copyright BECTU]Maurice Elvey (film director) 11/11/1887 – 28/8/1967 by admin — last modified Jul 28, 2008 04:49 PMTranscription Date: [? Pilot Project]  -  Interview Date: 1963-10-01  -  Interviewer: Ralph Bond[…]

[…]typing. But my mother always used to say to me ‘Well what are you going to do with your life, what are you going to be’? And I said ‘I'm going in the film business’.Ah, that's what I was going to ask you, what, what prompted you to do that?Well I always loved the theatre, I suppose like every young […]

[…] at Royal Academy and there were various video cameras no film cameras, of course, there for various people. The smallest […]

[…] I started work in the' office of the Automobile Association in St James's Street as an office boy.Fowler/Lawson: Oh, well how come you got into films?Bill Girdlestone: Well, I was the original film buff. I had a home cinema at about 12. A local sweet shop started to sell film, six feet a […]

[…] (1929), which Hitchcock later made into the first British feature film with synchronized sound. Other writing credits as a collaborator […]