[…]0 The copyright that this recording is vested in the British Entertainment History Project. The name of the interviewee is Madeline Smith; film, television and theatre actress and radio. The interviewer is Mike Dick, and John Luton is on camera. The interview number is seven two two and t[…]
[…]e head master said, you know, "Oh, you'll presumably go into a bank or something like that." So, I hadn't a clue what to do but I had an uncle in the film business and he said he could get me a job. And so I told this head master that I was going into the film business and he was absolutely astounde[…]
[…]ry Project - Interview No. 17 [Copyright BECTU]Transcription Date: Unknown - draft analytical transcription by Sarah Easen, British Universities Film and Video CouncilInterview Date: 1987-09-16Interviewer: Roy FowlerInterviewee: Reg SuttonSound recordist: Taffy HainesTape 1, Side 1 Roy Fow[…]
[…] meant going from one projector to another on the same film because they were on 20 minute spools and a […]
[…] Unknown - draft analytical transcription by Sarah Easen, British Universities Film and Video Council Interview Date: 1987-09-16 Interviewer: Roy Fowler […]
[…] 1932, he left school to become an apprentice in the film industry, with his first job as a clapperboy on After […]
[…]ncle’ Mac in the family – he was never an uncle but in those days you called everybody uncle. He turned out to be David MacDonald who was a reputable film director in those days. I went down to Lime Grove studios with my dad and sat on the set. In his chair. And started work next Monday. In the scen[…]
[…]angeover. And I remember waiting in great anticipation to be allowed to take a changeover which meant going from one projector to another on the same film because they were on 20 minute spools and a feature film would consist of up to five spools of film. However because the progress was so slow I l[…]
