[…]n. So my mother left this place we were evacuated in - Newbury actually and I have some strange memories about there, you know, almost like the film that Rod Steiger was in when they were in the wheat(?) fields(?) before they get caught by the Germans, you know. Anyway, we came back to L[…]
[…] you were doing was actually an integral part of the film. 3 0:03:34 JOY: He actually… there was not much […]
[…]. (Time 11:58) I was shaking like a leaf. I don’t know why, but I was. MIKE DICK: Tell me a bit about how you first got into films then. PETE MURRAY: Well, that was basically because an agent called Herbert de Leon saw me in this[…]
[…]t up my hand and in fluent German I said halt, one of the few German words I knew . Then I said hande hoch, because I’d heard Errol Flynn say it in a film. So he put his hands up and then he gave me, I put my hand out, pointed to his gun, he had an automatic, much better than ours they were, much be[…]
[…] in 2015 by the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell […]
[…]broadcast in black and white to all the schools in Glasgow. They had two production studios where they made programmes dedicated for that. They had a Film Department. John Gow worked there, as did Steve Beck so there's a lot of people that I know through the industry came through that door, if you l[…]
[…]5 – 00:43:30 By 1950, JR is still painting; she talks about some of the paintings sold during this period; Loudon Sainthill was asked to storyboard a film version of A Midsummer Night’s Dream for which he sought the help of JR and Margaret Olley; JR discusses some of her other activities during this[…]
