[…]te Jim Goddard.PM: Well of course I worked with Jim Goddard when I was doing Armchair Theatre.DB: Yes.PM: We had this communal open-plan office. With Bob Fuest, Jim Goddard, Assheton Gorton – there were about six of us all in the open thing.DB: Design Department.PM: Design Department, yeah. Ji[…]
[…]those that weren't I met later because I did some filming there. But the Danischewskys and the Novandoffs ( ??) and Basil and Melissa Dearden and and Bob Hamer, I don't remember Robert coming to the house so much. But Carl Mason was constantly with us one way and another. Yes. The house was wha[…]
[…]ite well, and did what he wanted, which was defined as little to do frame trims and things. Who else was in the cutting room there? Only yes. There's Bob Johnson. Yes. Johnny Ferris, Johnny Ferris. Yes. Brett Porter. Jeff Foote, Jimmy Corbett.Alan Lawson 7:00 And his right pick wasn'tNor[…]
[…]bsp;I'm terribly sorry. I'll have to ask Mr. Slater to to use the pit head bobs with you today. Yes of course. Any reason. Well a matter of fact my wi[…]
[…]mention earlier on) they had a Newman-Sinclair.Alan Lawson: Oh!David Prosser: And while they had a Photographic Officer, who I think was a Lieutenant Bob Everett in those days...um, subsequently took over Mole Richardson or somebody, in later years, when he had to leave the Navy in a hurry. He had s[…]
This copyright of this interview is vested in the BECTU History Project.Interviewer Bob AllenThis is an interview with Peter Handford, sound recordist, and it is taking place in his studio where most of the train records for which he is quite famous have been put together at his home. The date is th[…]
