[…] it though, I'm sure, you know. Anyway, after about two years of this, or a little less, you know, I thought this, this isn't really why I joined the BBC. And I used to see on the notice board notices asking for people for television, because it was six, you know, ’46 you see.’46.It was starting up […]
[…]ght side of the industry. I sort of halved my salary, becoming an assistant, you know, but it was well worthwhile.What kind of an assistant?Assistant director. And that day and age, now out of interest, in that day and age of coursewe were fighting for an apprenticeship scheme in the industry becaus[…]
[…] I thought this, this isn't really why I joined the BBC. And I used to see on the notice board notices […]
[…]ery well but I can't imagine that was his first film.John Taylor: No it wasn't, no.Margaret Thomson: It wasn't?John Taylor: He was a well-established director. He started with Box and made a lot of films with.Margaret Thomson: Well he started with Gaumont [?] actually.Charles Wilder: Oh did he? Yes.[…]
[…]y actually, you know, I would like to, you know, I like to doing it because I know I can do it better. And, you know, one, obviously, one helps every director. Ones with, to a certain extent. When one has a, you know, one's obviously bubbling over the idea. Someone tells an idea. So if one, you know[…]
[…]on Hales 37:07 Another film I'm leaving out, that is called Men of the Light Ships. And there was an unprecedented attack, By German dive bombers on a light ship which was strictly against the rules of war. And the film was made and they reconstructed it and they brought in a man o[…]
[…]p, high up number doesn't matter, doesn't matter. And the first one was at strategy Hall, I think.Speaker 1 18:25 Forget whether that was bomber or fighter. Anyway, one for the Bomber Command, one for the wifeUnknown Speaker 18:35 with Felicity, somebody or other. She was the[…]
[…] Pat Jackson (1916 -2011) was an English film and television director. His films included Encore (1951) and What a Carve Up! […]
[…] Lawson: Did you work with him when he became a director. Sid Cole: No. He didn't make anything very distinguished - […]
