[…]re brought back after about six months, or less than six months, I think about four months, because it was apparent that it was a forced war. No, no. Bombers came over. Nothing happened. And so we were all sent home. And I was there until beginning of 1940 when bombing did start, and the the Germans[…]
BRITISH UNIVERSITIES FILM & VIDEO COUNCIL Interview with EDGAR ANSTEY I think it's interesting as background to consider the extent to which the original dress and philosophy er - was developed in the first instance by him and then er - was moved out, partly by his efforts, partly by the efforts[…]
[…] The RAF bombed Budapest. They bombed it with a 1,000 bomber raid, how we hadn’t any pictures of the bomb, […]
[…] after that - we had one siren go and one bomber came over, and it hit that shelter direct! That's […]
[…]s no way of getting in anywhere, and finally, I was out of work for six months, and then I would get on a film. By this time I was an assistant director. I had tried everything, I had been a third, I had been a second. For a few minutes I had been a first, but the electrician, on the fil[…]
[…] There was no musical event at the Hall at all.JS: Go on, I want to find out about how people get educated musically.RA: After that, I wanted to be a film director and I think it was Gaumont British offered a course for £100 where you could be an apprentice and I put this to my father and he refused[…]
[…]became, it became possible to use film on a touch screen basis. The galleries were re-opened and restructured in 1989 and [Alan] Borg oversaw that as Director. And it was Clive who was responsible for putting film very much into the galleries and it was there you could stand alongside a V2 or V1 roc[…]
[…]essary for him as Michael barrier. He worked for me as a director when I was producing. I worked with him before I got my department of my own at the BBC. I don't know the amount of could have done that with Linda Wood 0:52Yes, it's very difficult role reversal. Can you also sort of expla[…]
[…] came called Cyril Morehead who later went on to the BBC. Both Watkin and Paynter and I, our careers have kind […]
[…]o try and change?CM: Yeah and also to learn. One of the films I love the most is Made in Britain with Tim Roth. Alan Clarke, to me, was a genius of a director. That happened almost just when we were… just before we shot A World Apart, I worked with Alan and Tim Roth on Made on Britain. To me that wa[…]
