[…]ion sphere.SPEAKER: F10 [Carol Owens] Completely it was. it was head office as it were so it was it was working right into the heart of the corporate BBC.SPEAKER: F15 [Carol Owens]One of the early things that I did which was an eye opener was I visited the National Association of Broadcasters Conven[…]
[…]ry! [Chuckles.] Oh, there it was! But you never checked when you were doing a black and white film, you very rarely checked your costume with the art director. When you were doing colour, that was a very different matter, of course you had to then, otherwise the most awful things could happen. But i[…]
[…]ed.The copyright of this recording is vested in the ACTT history project. Sara de Normanville, professionally known as Sara Erulkar, documentary film director. Interviewer John Taylor. Recorded on the twenty-eighth of February 1991, with interjections by her husband, Peter (PdN). Side one.[00:34]Who[…]
[…] films, but somehow they said I was the only woman director... and young, very young, and looked rather frivolous... The press […]
[…] Yes. She happened to be the wife of a film director. Mm. A very, quite well known one actually, the name […]
[…]othing at all. And there were a lot of fans of Tony Hancock, that we're we're desperate to hear his work again, there was nothing coming out from the BBC. And the decision was made in 1976, to form a society. And the aim of the society was to try and get more of Tony's work back on the radio and bac[…]
[…] a deal where he could buy Dallas away from the BBC. Now in America you get the congressional medal of honour […]
[…] film, you very rarely checked your costume with the art director. When you were doing colour, that was a very different […]
[…]y wife made friends with another lady that was, mm, she met at the clinic where they went with their babies.Yes.She happened to be the wife of a film director.Mm.A very, quite well known one actually, the name of Francis Glassin [ph 169]Yes.Do you know him?Yes.HARRY COURCHA 16Francis and Cathy.Mm.So[…]
This material is the copyright of the ACTT History Project, Daphne Anstey widow of Edgar, editor with the National Film Board of Canada under her maiden name, Lily, interviewers JohnLegard [JL] and Gloria Sachs [GS], recorded in her home, in Hampstead Garden Suburb, 3 May 1989. Recordist Alan […]
