[…]her. He was very good - he was on close-ups.Fowler/Lawson: What about Guy Green?Bill Girdlestone: I never did a picture with Guy, only as a director. Lovely, oh what a lovely boy. Iliked his work, he did that army film, didn't he.Fowler/Lawson: What do you think are the qualities of a[…]
[…] that was on film. And it wasn't shot by the BBC. Cecil Madden whose history will already have appeared in these […]
[…] I never did a picture with Guy, only as a director. Lovely, oh what a lovely boy. I liked his work, […]
[…]ect, on 16 February 2018. So, thank you for agreeing to take part in this Simon. To begin with if we could talk a little bit about your background in film and photography, and how that really started.SL: Sure. I mean I was always into photography and film. I went to art school, studying experimental[…]
[…]er's elder brother had come over to England to see the grave of his son, who was also in he was in the New Zealand Air Force had come over here was a bomber pilot and crashed on on takeoff at a station somewhere in Oxford, and was buried in our local churches St. Peter's tankersley. And he came over[…]
[…]elor: He was the cameraman, he was gorgeous. And in fact the only one of that bunch who did anything afterwards, apart from me.Kay Mander: Were these films for cinema?Joy Batchelor: Yes they were, but they only had a short life and a gay one. He had very good connections, this bloke, and our film - […]
[…]t was. Well and there wasn’t any way for me to get out of it really and so I, Itook the way out this way out. I married a chap called Alex, Alexander Harris.Mm, mm.He was twenty-three.Y es.And he worked on an adjoining island.Y es.And father of my daughter there.[Laughter] Daddy’s daughter yes.Yes t[…]
[…]was done in conjuction with the BBC concert Orchestra.AL: That was for Brent WalkerAlexander Faris: That was for Brent Walker in conjunction With the BBC. A united effort. It was a video, it went out On the box but was available as a Video.TD: You did other musicals, like Barmitzah Boy and Vivien El[…]
[…]der 100,000 pounds in those days. So we progress Oh, this is a skate over this. The red rasa. The red tent was Kara touch soft was a very big Russian director. In fact, it was a Russian Italian co production and had been shooting it for about 18 months when I went on. On an off site. I mean, as far […]
