[…] from the film as sort of the most laid back director. I mean that all the time he really was. And […]
[…] enjoyed working with them, the three of them. I mean the director used to send to me, the last time he sent me a card and it was, "You're a horrible director. When can we do another one?" [Chuckles.] That's what I used to get! Bram said to me, "How come you do five for one company? I never did more[…]
[…]2-12Interview Date: ??? Interviewer: Ralph Bond ?Interviewee: Ivor Montagu NB: This is evidently the transcript of the soundtrack of a filmed interview with Ivor Montagu (details not given on tape)Tape 1, Side 1Interviewer : How would you evaluate the effectiveness of the independent […]
[…]p;1:06:58 that were more acceptable than the police or the army, and all that.Unknown Speaker 1:07:03 slideshow, Ira gunmen, or IRA bombers who didn't really you know, so I find that whole language thing.Unknown Speaker 1:07:16 Interesting, and, and that's the sort of s[…]
[…]meraman on thatMonty Berman: Chris Challis. I'm trying to think who the director was, it wasn't Mickey,Mickey was here. I can't think the name of the director. Then when we moved intoPinewood to do the studio side, that was that. When did I get another job. I don't know,maybe I met Bob Baker. I knew[…]
[…]troduce myself my name is Nigel ArthurCL: My name is Cornel Arthur (laughs)NA: We’ve met before. I’m the curator of the stills library at the British Film Institute. Cornel you’re a world renowned stills photographer, so obviously there’s an affinity between us. I wondered if we could go right back […]
[…];24:13 Well, I mean, that's an exam. I can't remember what the others were. Anyway, while I was doing all this, I was also broadcasting for the BBC. I mean, I don't know. I found the time for all this, really, you could do it now, you know. And I was doing a weekly show called Variety Playhous[…]
[…] what to do but I had an uncle in the film business and he said he could get me a […]