Carmen Dillon

[…]so I stayed in Wembley for a long, long time.Sidney Cole: What was your actual title? What was your job?Carmen Dillon: By then I was an assistant art director.Sidney Cole: Yes.Carmen Dillon: Almost immediately. Because I had to get it set into it. But I had a very dear little man who was trying to c[…]

Mel Faber

BECTU History Project Interview No 526.Mel Faber.Feature films: advertising and distribution.Interviewed by Brian Taylor and John Legard. 30.09.2003.Transcription by Allen Eyles, September 2007.INTERVIEW WITH MEL FABER FOR BECTU HISTORY PROJECTMF: I'm a Liverpudlian as you may gather from a problem […]

Louise Willcox

[…]for and I thought, You know what, I've done this, I've done that pebble mill was the best place to go to get a broad spectrum, audio education in the BBC. I couldn't believe actually, and how lucky I was and a chap called Mike Tolbert Smith was one of our lecturers. They're very funny character. But[…]

Leslie Norman

[…]tary,  sue.malden@btinternet.com.Sid Cole  0:00  The copyright of this recording is rested in the actt history project. Leslie Norman, film director, film editor, associate producer, and producer, interviewer Sid Cole  recorded on the 22nd of January 1990.The Elstree Studios side[…]

Desmond Dickinson

[…]Brownlow (1972) (KB)05/07/1963 and 30/07/19723 Tapes Interview with Ralph Bond (1963)Side 100:00:00 – 00:05:22 Introductions; DD first entered a film studio in 1914 at the age of 12; a cousin asked to be an extra on the film England Wake Up with cameraman Otto Rieve and director Tom Watts; his […]

Frank Littlejohn

[…]d it was sometime before they got out. In fact one of the staff with John Mowlens became rather famous, also in thefilm industry eventually, was Ron Haig, he was an electrician on Mowlens.             […]
Scroll to Top