[…], has been a power base around the Socialist Workers Party and one or two other odds and ends, their worst successes were no longer checked by ITV or BBC. I think the best result from that breakup of the television division was creating the BBC, giving them sort of respect and accord, and indeed the[…]
[…]roducer go out when I was 21 in six months or something, I think and I would like to suggest that I'm still the youngest creditor producer on network BBC. But then with that came this thing about me at that age with all so many, so many people who were much, much more experience. I mean, a lot of my[…]
[…]so I stayed in Wembley for a long, long time.Sidney Cole: What was your actual title? What was your job?Carmen Dillon: By then I was an assistant art director.Sidney Cole: Yes.Carmen Dillon: Almost immediately. Because I had to get it set into it. But I had a very dear little man who was trying to c[…]
BECTU History Project Interview No 526.Mel Faber.Feature films: advertising and distribution.Interviewed by Brian Taylor and John Legard. 30.09.2003.Transcription by Allen Eyles, September 2007.INTERVIEW WITH MEL FABER FOR BECTU HISTORY PROJECTMF: I'm a Liverpudlian as you may gather from a problem […]
[…]for and I thought, You know what, I've done this, I've done that pebble mill was the best place to go to get a broad spectrum, audio education in the BBC. I couldn't believe actually, and how lucky I was and a chap called Mike Tolbert Smith was one of our lecturers. They're very funny character. But[…]
[…]tary, sue.malden@btinternet.com.Sid Cole 0:00 The copyright of this recording is rested in the actt history project. Leslie Norman, film director, film editor, associate producer, and producer, interviewer Sid Cole recorded on the 22nd of January 1990.The Elstree Studios side[…]
