[…]Brownlow (1972) (KB)05/07/1963 and 30/07/19723 Tapes Interview with Ralph Bond (1963)Side 100:00:00 – 00:05:22 Introductions; DD first entered a film studio in 1914 at the age of 12; a cousin asked to be an extra on the film England Wake Up with cameraman Otto Rieve and director Tom Watts; his […]
[…]d it was sometime before they got out. In fact one of the staff with John Mowlens became rather famous, also in thefilm industry eventually, was Ron Haig, he was an electrician on Mowlens. […]
[…]d from there I went to manUnknown Speaker 18:44 I did nearly 14 months at ManstonUnknown Speaker 18:47 on the loop, preparing bombers, Halifax, his lengths, Mitchells, anything that came in there, what you put in the loop? What's that? That was the loop at Manston, which was […]
[…] shoot. I’ve worked on things where I’ve never seen the director. Somebody asked me what’s Robert Day like to work with […]
[…]think he directed it. He directed The Rake’s Progress. But I think that Dave MacDonald did Two Thousand Women , I wouldn’t swear to it. He was a good director.I: And by then did you have an opinion on the parts you were playingJK: You never got an opinion, you played it or else. I never thought to i[…]
[…]t anything else. Ernest Maxin 24:13 After that, I produced and directed. I can't go through all the names now at the BBC.- Jack Benny Eddie Fisher. I found Dave King. That name means anything to you. He was a harmonica player in Morton Fraser's […]
[…] was W alter Mycroft, what was his job? [previously became film critic of Evening Standard, strange man, immense enthusiasm for […]
[…] so that was good and you taught yourself really. You learned from talented people, people like Alan MacMillan who was a brilliant Editor and a great Director. Ross Wilson, another really really good Director. From people like yourselves who had skills in particular areas and so on. You know, the So[…]
