[…]'maybe that's what's done in that village'. So from then on I learned to direct, because I had to do it through interpreter, who in effect became the director... saying what was to happen, but it had to be the correct custom and the correct behaviour. So I learned that quick, and they were very succ[…]
[…]be told what I can do and can't do by these jumped up nobodies. They were to me, and I was quite determined to get into the film industry through the BBC. SIDE 2, TAPE 1 John Schlesinger: Well it was in those days, I also had run ins with Gra[…]
[…]e bit about your early life. But before you started your professional career in film. Where we were born into your parents. Yes quite well I was born in Lo[…]
[…]ker 0:06 The copyright of this recording is vested in the ACTT History Project.Unknown Speaker 0:13 John Sherman, documentary film producer, filmmaker, interviewer, Alan Lawson, on the 26thUnknown Speaker 0:23 of October,Unknown Speaker 0:26 side one.U[…]
[…] the years when Hitchcock was more or less a journeyman director... E.M. Smedley-Aston: Well Hitch left about the first or second […]
[…]und the studio.Roy Fowler: Well yes, the feel and also some of the characters. These were the years when Hitchcock was more or less a journeyman director...E.M. Smedley-Aston: Well Hitch left about the first or second year to go to Gaumont. And he did - he took with him a very extrovert ch[…]
[…]being reduced to voices, and then finally they were an anonymous voice, which was a just a linking narrator, of which I did a couple, but not for the BBC. I mean Dispute was done like that, but that was a strange mixture because I actually had the protagonists talking to camera, as a sort of linking[…]
[…]hief secretary of the Gambia going, in charge, because he's now working at the Ukraine. He's going. And there's a wonderful man called Sir Percy Wynn Harris. Says, Yes, I know him. He said, who used to be the governor of Kenya. He has a yacht on the river, on the on the Gambia River, and you're goin[…]
[…] it came to what the scene was, you asked the director. The soundman would say, "Well if he goes in that […]
[…] directors: Mickey Powell did the fighter section, I did the bomber section and Carol Reed did the romantic stuff with […]
