Search Results for: British

[…] Robson: They were originally designed for the silent days, with British Acoustic pull-through sound heads on the bottom. Lovely. That […]

[…] years back! And I took him to Bowden House the British photographic museum, and he was amazed, you see. So […]

[…] extra camerawork. We also did some experimental sound recording with British Acoustics but it was a full width track and […]

[…]s transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]

BRITISH UNIVERSITIES FILM & VIDEO COUNCIL Interview with EDGAR ANSTEY I think it's interesting as background to consider the extent to which the original dress and philosophy er - was developed in the first instance by him and then er - was moved out, partly by his efforts, partly by the efforts[…]

[…]um - Thirty Is a Dangerous Age Cynthia was a happier experience00:47:10JOE: Thirty Is a Dangerous Age Cynthia was a happy experience - except for the British film critics who - by this time, as Dudley felt, that they had taken against him in a way - er - it opened here and didn’t get good reviews at[…]

[…]was - we had very ancient equipment, it was Gaumont Chronos.Alan Lawson: Blimey!David Robson: They were originally designed for the silent days, with British Acoustic pull-through sound heads on the bottom. Lovely. That part of it was lovely. And a 25 amp - so low-intensity - arcs and the front shut[…]

[…]st five minutes was a reconstruction, it ran about forty minutes and the last five or ten minutes was a reconstruction of the war in Burma, where the British won simply because they had better anti- malarial precautions than the Japanese. Um - now what did I do after that? I think I must have gone t[…]

[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]