[…]d from time to time as assistant for other cameramen. Other cameramen I worked for—I remember working for—were James Ritchie, later a producer at the British Rail Unit, and John Reed [UNVERIFIED], John R.F. Stewart, and Bill Pollard. It was with Bill Pollard I remember having possibly my most enjoya[…]
[…] world. I um...Sidney Cole: You made for London then, did you?Bernard Vorhaus: Yes. And I was offered a job as a production assistant for a company - British Talking Pictures - it was - it was an offshoot, they had Wembley Studios.Sidney Cole: That's right, I remember, yes.Bernard Vorhaus: And -Sidn[…]
[…]e. I suppose I kept my thoughts to myself a great deal. But I do recall that at the age of eight, I first began to think about what we were doing, we British were doing in Ireland, and beginning to object to it. At eight in a dark kitchen in a in a house in Pembrokeshire. Colin Moffat&nbs[…]
[…] advantage I was really inspired by Frank Capra's Why We Fight the series, which was to mine mine the model of what what I would do but from from the British point of view. And this was I think, where an editor did come in I mean, I thought thought that this was an opportunity for an answer is that […]
[…] I ~~ ST~M I ~LL':vtstoN OJ THEATRE RADIO I I BRITISH ENTERTAJ II ENT HISTORY PROJECT ~~II(CTU _,,.,...,. . WWW […]
[…] one of the most influential figures in the history of British television. Leaving school at 14, he entered the entertainment […]
50 Years of British TV Documentaries: A Diary of Decline, by a film editor – Simon Rose 2014 With his unique perspective […]
