[…] and they've got to learn with me the right way.Roy Fowler: You make your beginnings sound very quixotic, would you say they were typical of the British film industry in the early, middle 30s.Peter Tanner: I really don't know. I can only speak for myself.Roy Fowler: Have you ever read[…]
[…]track. 3. Independent FrameBL: Independent Frame was a process devised at Pinewood. At the end of the war Mr. Rank, J. Arthur Rank, thought that British films needed mechanising - almost mechanising - more scientific. He got a gang of scientists from Watson Watt, the radar men, down to Pinewood[…]
[…] 2020 Dear all, Welcome to the latest bulletin of the British Entertainment History Project. The outbreak of the pandemic has […]
[…] I went to see it, and all the well known British and American films. Charles Drazin: Now at that time […]
[…] at the Wembley studios, working on ‘Quota Quickies’ for Fox British. Early in the war she moved to Denham and […]
[…] And Geoff Hermges whom I met the other dayat our British Transport reunion told a story which I had heard […]
[…] Film Laboratories. In 1980 he became involv ed with the British Kinematograph Sound and Television Society (B SKTS ) and […]
[…] that was one of those things.!We also went out to British Columbia to a small holding, there which was on […]
[…] t y p i c a l o f the British film industry in the early, middle 30s. Peter Tanner: […]
