Robert M (Bob) Angell

[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]

Margaret Thomson

[…] looked around for something else that would use my zoology and would give me a satisfying life. And I had the greatest good luck to hit upon Gaumont-British Instructional, who at that time, were making a great number of natural history and zoological films under the guidance of Julian Huxley, and P[…]

E M (Michael) Smedley Aston

[…]t I did get an introduction to Elstree. There was a man who I think was still a name in the city, called Scringer and he was a director of Associated British Picture Corporation which as you all know was founded by John Maxwell. And I think at that time the Associated British had a rather large over[…]

Rodney Giesler

[…]ribly tedious. It was all 35mm black and white which was reduced to 16mm for release printing.John Legard: They shot everything on 35mm, as we did at British Transport Except the colour travel films. Those were shot on Kodachrome, and blown up to Technicolor Dye transfers. Which was quite satisfacto[…]

Ronnie Noble

[…]cript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]

Eileen Diss

[…] and they wrote back and said no, we will pay you (laughs). I couldn't get over it; we will pay you nine pounds a week2 Roy Oxley (1899-?) was a British production designer at the BBC, he won a BAFTA for his work on The Portrait of a Lady in 1969.3 Peter Bax was a production desi[…]
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