[…]s transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]s transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…] the years. So we worked from the original 35mm negative, the original optical track negative, and then we used that IB Technicolor print which was a British print to… which had all these censorship… all these censored scenes that were censored from the US were in that IB Technicolor print so that’s[…]
[…] that probably was a wise move actually because it just meant that it could be done by other people as well as…I mean, your project is defined around British films, and the contribution to British films so, in that sense what happened over in America isn’t so relevant I guess, but there were variati[…]
[…]– Fuji were doing exactly the same thing.[00:35:05]PF: Just talking about Fuji there then Brian, did they ever really have much of an impact on British film production would you say?BP: Yes, very much so.PF: When really did that start?BP: It started in the late-70s really and they became quite[…]
[…]t that time we had our soldiers were out shooting people in Cyprus and, you know, and Tanganyika andROY LOCKETT 4Kenya, and it was a kind of like the British Army wasn’t distinguishing itself by its, its noble [Laughter] work in my view so the last thing I wanted to do was to join the Army, and[…]
[…]cript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]17 And anyway, this is not the back of his face this is not the backUnknown Speaker 1:28 stop. No.Derek Threadgall 1:33 British entertainment history project.Unknown Speaker 1:38 Oh, hello. This is good.Derek Threadgall 1:44 Okay, so we've done t[…]
[…]cript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
BEHP 0720 T RENÉE GLYNNE TranscriptBritish Entertainment History Project – Interview No. 720 26th January 2018INTERVIEWEE – RENÉE ALMA GLYNNE INTERVIEWER – DARROL BLAKE Transcriber – Linda Hall-ShawDARROL BLAKE: So, can you tell me your name and[…]
