Jill Craigie

[…] worked as a journalist through the 1930s, she entered the British film industry as a documentary scriptwriter early in the […]

HP0202 Elizabeth Furse – Transcript

[…] transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie […]

Alan Izod

[…]nd from the earliest time that I remember him, he was head Brewer at Meux's Brewery Limited in in London, which was practically on the site where the British Film Institute later was in in the corner of great Russell Street. And I think this site was sold  way back in the 20s. The Dominion Cine[…]

Francis Gysin

[…]cript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]

David Prosser

[…]r, as being possibly a good story and a very necessary story, of course, we obviously in those early years were suffering very bad propaganda for the British. Ah, so I made this, er, originally twenty minute film about the full operation of submarines attacking Rommel's convoys.Alan Lawson: Ah-ha.Da[…]

Charles Picken

[…]rated during my sojourn in Manchester I was able to anticipate a repetition during its normal run at Edinburgh. With the City due to stage the (then) British Commonwealth Games in the summer of 1970, it was agreed the premiere could double as a fund raiser for promoting this event and be staged on a[…]

Jill Craigie

[…]materialistic. You got a job immediately, you could work.Interviewer (unidentified): When did you get a job?Jill Craigie: Well I was working with the British Council, and that increased during the war.Interviewer (unidentified): How did that start?Jill Craigie: I wrote something and sent it in. I wa[…]
Scroll to Top