[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…] 1: You mean it was run by the British still? &nbs[…]
[…]oke, with the Schufftanprocess, very, very good shot for that periodRoy Fowler: The other famous one usually pointed to is one of the Hitchcocks, the BritishMuseum sequence in not Sabotage, I think it was SabotageMaurice Carter: Sabotage was made at the Bush, of course. Vetch and I worked on The39 S[…]
[…]ly. In fact, if I may digress for a few seconds Gaumont Kalee which was a rank company part of rank film equipment was a company which had existed as British Acoustics for a great many years. And in my view was a very much underrated company. I believe they made first rate equipment. And if they had[…]
[…]u better write to him again. So she did and to cut a long story short aletter came saying would I go and see John Corfield at Golden Square, whichwas British National headquarters, I think it's now where the Granadabuilding is. I didn't know, what for so one November day in 1935 I wentup there and w[…]
[…] I watched how David Green worked who w as a British director we had [unclear] gradually, I began to read […]
[…]all those things. So, starting, I guess at the beginning, you're the daughter of Michael Balcon, who is one of the founding fathers of the British film industry. And I'd like I suppose to start with him, your memories of him going, going back to your earliest recollections. Is […]
[…]em to warn them they might hear from this gentleman.This is already, when they were in, in the...?They were...19Offices off...They'd just moved in to British Lion.Ah.It was ’61 I think it was, when they all got together, that time, then. I went to see John and Roy who both, luckily, happened to[…]
