[…] Smedley Aston entered the film industry as a runner at British International Pictures in 1932. Throughout the 1930s he worked […]
[…] of films there. Then I went back to...er Elstree, to British National...er, back to er...[sneezes]'scuse me, errm...Yes I finished Sound […]
Eileen Diss (1931-) is a British theatrical designer. After studying at the Central School of Art she worked at the […]
[…] Legard: They shot everything on 35mm, as we did at British Transport Except the colour travel films. Those were shot […]
[…] PM BIOGRAPHY: Len Harris trained as a Cameraman in the British Kinematograph Society’s course at the London Polytechnic, Regent Street, […]
[…] 2nd August 1995. We're in the meeting room of the British Film Commission, at 70, Baker Street in London, and […]
[…] worked as a journalist through the 1930s, she entered the British film industry as a documentary scriptwriter early in the […]
[…] transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie […]
[…] I watched how David Green worked who w as a British director we had [unclear] gradually, I began to read […]
[…] the film industry as a page boy at the Gaumont- British Studios at Lime Grove (Shepherd’s Bush) at the age […]