NEWSLETTER OF THE BRITISH ENTERTAINMENT HISTORY PROJECT www.historyproject.org.uk Issue 3: Spring 2020 Chair’ s Welcome Dear All, I hope that […]
[…] before entering the film industry as a sound engineer at British Instructional films in Welwyn, working on early sound films […]
[…] of sound he moved to England, working initially for Phonofilm/ British Talking Pictures. When they folded he bought their library […]
[…] short in 1940 when she was making a film about British evacuees for the National Film Board of Canada and […]
[…] a few more pictures at Ealing and the went to British International Pictures at Elstree which is still there and […]
[…] Cole: Because Sevastopol was the siege wasn't it, by the British and French armies? Charles Cooper: The siege of Sevastopol, […]
[…] of Mecca of the revivalist movement to try and get British Infantry tactics into some shape and there were about […]
[…] transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie […]
[…] 1, Side 2 Fowler/Lawson: In those early days of Gaumont British at the Bush, what kind of pressures were on […]
[…] Robson: They were originally designed for the silent days, with British Acoustic pull-through sound heads on the bottom. Lovely. That […]