[…]em to warn them they might hear from this gentleman.This is already, when they were in, in the...?They were...19Offices off...They'd just moved in to British Lion.Ah.It was ’61 I think it was, when they all got together, that time, then. I went to see John and Roy who both, luckily, happened to[…]
[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…] the film industry as a page boy at the Gaumont- British Studios at Lime Grove (Shepherd’s Bush) at the age […]
[…] major picture I made, you see. Roy Fowler: That was British National, was it not? The production, did they finance […]
[…] the Wall (1949), before returning to work in Britain. His British feature films display a strong documentary influence and include […]
[…] the Wall (1949), before returning to work in Britain. His British feature films display a strong documentary influence and include […]
[…]that for a very long time, that movie." But it did me a lot of good you see, it was the first major picture I made, you see.Roy Fowler: That was British National, was it not? The production, did they finance it, British National?Vernon Sewell: No, it was an Alexander Korda film.Roy Fowler:[…]
[…] so have adopted England and most of my friends are British, but the Polish film unit, I did not apply, […]
