Simon Lund

[…]00:00:00PF: This is an interview with Simon Lund from Cineric, New York, conducted on Skype by Paul Frith as part of the ‘Eastmancolor Revolution and British Cinema’ project, on 16 February 2018. So, thank you for agreeing to take part in this Simon. To begin with if we could talk a little bit about[…]

Peter Lamont

[…]g Life in black-and-white.PF: What was that experience like then, working on This Sporting Life, obviously being now hailed as a classic of British cinema and the New Wave?PL: Well Lindsay Anderson was a lovely man, and I was set decorator, and of course it was great because I knew quite a[…]

Kieron Webb

Kieron Webb (KW) Conservation Manager (British Film Institute) Interviewer: Paul Frith (PF) Date 30/01/2019 Length 00:27:16 00:00:00PF: OK, so this is an interview with Kieron Webb at the BFI, Berkhamsted, on 30 January 2019. So if you can start Kieron just by introducing yo[…]

Colin Flight

[…]oject as well, you’ve already named dropped a couple of people that you’ve worked with and films that you’ve worked on. Can you think of any specific British films, directors, cinematographers, that you remember having a working relationship, or…CF: Yeah, we had, I mean, we…CR: Or regular working re[…]

Peter Ansorge

[…]cript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]

Gawn Grainger

[…]I’d been on for about twenty minutes. And Olivier called me back: “Mr Grainger, where did you get the voice from?” And I said “Well, if you go to the British Museum, and you get the prompt copy, and you follow Kean’s Richard III it comes out “Now is the-“ [imitating Olivier] He said “Thank you very […]

Chris Lycett

[…]s transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]

Peter Stuart Mullins

[…] kids: wake up in the morning, fry the eggs and bacon, and you break the eggs and it had a little lion stamped on it. 1 hour 20 minutes PM: British lion stamped on it.DB: Yes.PM: And I remember, I used to keep that lion, and when they rang me up to do the next commercial, they’d say “Don’t[…]
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