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All work by The British Entertainment History Project is licensed under the following:-  Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Licence. Based on a […]

[…] usability of many websites, including our website. Our details The British Entertainment History Project is a company limited by guarantee, […]

Ray Pascoe  0:05  The interview. Copyright is invested the British entertainment history projectLesley Gogarty  0:14  understood.Ray Pascoe  0:16  So could you just give us your name and your jobLesley Gogarty  0:19  title? My name is Lesley Gogarty, but for m[…]

[…]s transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]

[…]s transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]

[…]00:00:00PF: This is an interview with Simon Lund from Cineric, New York, conducted on Skype by Paul Frith as part of the ‘Eastmancolor Revolution and British Cinema’ project, on 16 February 2018. So, thank you for agreeing to take part in this Simon. To begin with if we could talk a little bit about[…]

[…]g Life in black-and-white.PF: What was that experience like then, working on This Sporting Life, obviously being now hailed as a classic of British cinema and the New Wave?PL: Well Lindsay Anderson was a lovely man, and I was set decorator, and of course it was great because I knew quite a[…]

Kieron Webb (KW) Conservation Manager (British Film Institute) Interviewer: Paul Frith (PF) Date 30/01/2019 Length 00:27:16 00:00:00PF: OK, so this is an interview with Kieron Webb at the BFI, Berkhamsted, on 30 January 2019. So if you can start Kieron just by introducing yo[…]

[…]oject as well, you’ve already named dropped a couple of people that you’ve worked with and films that you’ve worked on. Can you think of any specific British films, directors, cinematographers, that you remember having a working relationship, or…CF: Yeah, we had, I mean, we…CR: Or regular working re[…]

[…]cript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]