[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…] I watched how David Green worked who w as a British director we had [unclear] gradually, I began to read […]
[…] major picture I made, you see. Roy Fowler: That was British National, was it not? The production, did they finance […]
[…]that for a very long time, that movie." But it did me a lot of good you see, it was the first major picture I made, you see.Roy Fowler: That was British National, was it not? The production, did they finance it, British National?Vernon Sewell: No, it was an Alexander Korda film.Roy Fowler:[…]
[…]times a week! [Chuckles] Roy Fowler: Yes. In those days what kind of comparison, as a filmgoer, did you make between the Hollywood films and the British films? Andy Worker: Well they were all good - in fact they were all better than they are today I think. And you know, one had favourites […]
[…] filmgoer, did you make between the Hollywood films and the British films? Andy Worker: Well they were all good - […]
[…]cript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]dn't go to Denham till 1950 and after three or four years they made me Chief Contact.Tape 1, Side 2Fowler/Lawson: In those early days of Gaumont British at the Bush, what kind of pressures were on the cameramen, well, also on yourself? Let's talk about you first. What kind of pressures did you […]
[…] was, lovely job. And then he did a picture in British Columbia, Canada, called The Trap which I did for him, […]
[…]cript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
