[…]of events, but I certainly at some point along the line there, I did some work for, I think it was called GB-I. What was that...Stephen Peet: Gaumont British Instructional.Philip Leacock: Yes. And they were very anti-union. Now that's the first thing I really remember, it was recruiting ACT members […]
[…]im in 1936. So this is why I presumed he could still remain a form master. Father could see what was happening. He had very good connections with the British Embassy.John Legard: And, of course, by then I mean Korda was over here by then.Teddy Darvas: By this time, Korda was famous.John Le[…]
[…]both down. So somehow, how we did it I don't know, I wasn't quite the size I am now. So we got down, that was one of those things.We also went out to British Columbia to a small holding, there which was on the edge of the Pacific Ocean, and he had an orchard and a small field with some cows and he h[…]
[…] and they've got to learn with me the right way.Roy Fowler: You make your beginnings sound very quixotic, would you say they were typical of the British film industry in the early, middle 30s.Peter Tanner: I really don't know. I can only speak for myself.Roy Fowler: Have you ever read[…]
[…] Film Laboratories. In 1980 he became involv ed with the British Kinematograph Sound and Television Society (B SKTS ) and […]
[…] that was one of those things.!We also went out to British Columbia to a small holding, there which was on the […]
[…] t y p i c a l o f the British film industry in the early, middle 30s. Peter Tanner: […]
