[…]ch a strange man to find in the rough battle dress of a Royal Montreal Regiment Lance Corporal.He subsequently because he knew all the leaders in the British world of psychology British and Scottish of course world of psychology he dropped in on one of them in Cambridge as a Lance Corporal and was m[…]
[…]rated during my sojourn in Manchester I was able to anticipate a repetition during its normal run at Edinburgh. With the City due to stage the (then) British Commonwealth Games in the summer of 1970, it was agreed the premiere could double as a fund raiser for promoting this event and be staged on a[…]
[…]cript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]this is our second interview with archivists from the National Film and Television Archive in the UK.The copyright in this recording is vested in the British Entertainment History Project and the name of the interviewee is Clyde Jeavons and the interviewer is Murray Weston and its being recorded on […]
[…]cks 6-8 ends 0:16:36 Tracks 8-10 to end of tape Tracks 11-14
COPYRIGHT: No use may be made of any interview material without the permission of the British Entertainemnt History Project (http://www.historyproject.org.uk/). Copyright of interview material is vested in the BECTU History Project (for[…]
[…] . The copyright in this recording is vested in the British Entertainm ent :istory Project and the name of the […]
[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]ribly tedious. It was all 35mm black and white which was reduced to 16mm for release printing.John Legard: They shot everything on 35mm, as we did at British Transport Except the colour travel films. Those were shot on Kodachrome, and blown up to Technicolor Dye transfers. Which was quite satisfacto[…]
[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]nd from the earliest time that I remember him, he was head Brewer at Meux's Brewery Limited in in London, which was practically on the site where the British Film Institute later was in in the corner of great Russell Street. And I think this site was sold way back in the 20s. The Dominion Cine[…]
