[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]im in 1936. So this is why I presumed he could still remain a form master. Father could see what was happening. He had very good connections with the British Embassy.John Legard: And, of course, by then I mean Korda was over here by then.Teddy Darvas: By this time, Korda was famous.John Le[…]
[…]l, he came down. Billy Shenton also came down and did some extra scenes, or some extra camerawork. We also did some experimental sound recording with British Acoustics but it was a full width track and the picture camera had it's two back legs in a special kind of booth in the sound van and it was a[…]
[…] to increase until it peaked in 1946). See Linda Wood, British Films 1927-1939 (London: BFI Information Services), pp.120-123. Available online at […]
[…]y SamuelsonInterviewee: Erica MastersTape 1, Side 1Sydney Samuelson: Well we're sitting here on the 2nd August 1995. We're in the meeting room of the British Film Commission, at 70, Baker Street in London, and the interviewee is no less than Miss Erica Masters, a legendary production person in our i[…]
[…]sion would be made for that purpose another version would be made for instructional purposes in parts of Africa and perhaps another version still for British schools. This explains the number of edits and explains whether there were some editions that were silent and some with sound. MT: By thi[…]
[…] 41:07 No that when Cavalcanti left Ian Dalrymple was brought in who was a highly professional former supervising editor of Gaumont British and then a writer for Korda and who actually directed a film with John Mills I can't remember its title as a feature film but he was hig[…]
[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
